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"Prosperity" Is Just Around The Corner

Tonight as part of its ongoing series about "Life During The Depression," Turner Classic Movies is showing a comedy starring two of my favorite actresses of the Early Sound Era, Marie Dressler and Anita Page.

I've never seen it and from what I've read, Prosperity doesn't sound like the movie you'd necessarily hang your hat on if you wanted to show off either of these two great stars, but the subject matter—bank failures—is near and dear to my heart and what could be better than a movie starring Marie Dressler and Anita Page that makes you appreciate the role the Federal Deposit Insurance Corporation plays in guaranteeing your bank deposits?

From TCM's website:

11:00pm [Comedy] Prosperity (1932)
Feuding mothers almost wreck their children's marriage.
Cast: Marie Dressler, Polly Moran, Anita Page, Norman Foster Dir: Sam Wood BW-87 mins

As always, that's 11 p.m. Eastern Daylight Time here in the United States. I apologize to my readers in Great Britain for the Americentric nature of posts like these, but that's where my television is, can't do nothing about it. (By the way, I used to live in Britain—it really is great. Some day I'll regale you with tales of the World Snooker Championship at the Crucible in Sheffield when I met that year's champion Mark Williams. Some day, but not today.)

Addendum (10/30/09): Prosperity is a pleasant enough comedy to watch, but apparently was not a pleasant one for its participants to make.

● After screening the finished product, MGM fired its first director, Leo McCarey, and ordered the entire movie to be re-shot from scratch by Sam Wood. McCarey got the last laugh though, winning three Oscars during his career and being nominated eight times.

● The movie was the last of nine pairings between Marie Dressler and Polly Moran, who had become a successful on-screen duo during the Early Sound Era. The studio decided to mine a new vein, which didn't hurt Dressler any, who went on to make Tugboat Annie and Dinner at Eight, but it was the beginning of a steep decline for Moran who finished her career performing in bit parts.

● Prosperity also led to anything but for Anita Page, marking the last time she made a movie at MGM. On the outs with studio head Louis B. Mayer after twice refusing to sleep with him (the second proposition made in the presence of Page's mother), Page served out the remaining years of her MGM contract on loan to poverty row studios, making such low-budget bombs as Jungle Bride and Hitch Hike To Heaven. It was an ignominious end for an actress who had just a couple of years before received ten thousand fan letters a week.

● And worst of all, Dressler who was ill throughout shooting was diagnosed with cancer shortly after the film was completed. She died two years later.

Not All Vampires Suck Your Blood

I have a drop-dead lawyer-business deadline tomorrow so of course I've been watching movies. I've got two unrelated projects going at the moment: the essay for best supporting actor of 1930-31 (which you know about) and an ongoing project to flesh out my knowledge of Silent Era movies, some of the results of which I hope to share with you around the time I finish writing about the best movies of 1933—which at my current pace might be around the time my six year old niece graduates from college.

In the meantime, in honor of Halloween this weekend, I thought I'd mention an unusual vampire movie I saw yesterday, A Fool There Was, directed by Frank Powell in 1915.

It stars Theda Bara as "The Vampire." You remember Theda Bara, don't you? She was Hollywood's hottest sex symbol for a brief time in the late 1910's, most famously appearing in 1917's Cleopatra wearing, well, not much.

A Fool There Was, based on a Rudyard Kipling poem of all things, begins well enough. Bara, decked out in 1915's version of the nine's, sets her eyes on a wealthy American diplomat, played by Edward José (no, I'd never heard of him either. Primarily a director, he did occasionally step out from behind the camera, starring in, for example, The Perils Of Pauline), rearranging her schedule to travel on the same trans-Atlantic steam ship with him, seducing him in route.

And then the movie turned into the poor man's Pandora's Box, with the young and wild Theda Bara taking full advantage of the diplomat, spending his money, ruining his career, separating him from his family and his self-respect. And it slowly dawned on me that Bara wasn't so much a "vampire" as a "vamp," in Merriam-Webster's description, "a woman who uses her charm or wiles to seduce and exploit men."

The word "vamp" in this sense (it's also part of a shoe) is a shortened form of the word "vampire," and as a metaphor for a woman who sucks a man dry, it largely comes from this movie and Theda Bara.

You probably would have figured that out long before I did. But there you have it.

Theda Bara, by the way, was thirty when she hit it big in Hollywood, and she lived a long time, but her career didn't. The public ate up Bara and then by 1919, spit her back out again, hungry for the next big thing, tired of Bara's broadly-played "vamp" roles.

It didn't help that the public routinely confused the parts Bara played with Bara herself and women in particular took such an intense dislike to her that they were known to call the police if she spoke to their children. In fact, she wasn't much of a vamp in real life if her marriage to Charles Brabin is any indication. They were married in 1921 and stayed married until Bara's death in 1955 did them part.

"I have the face of a vampire," she later said, "but the heart of a feminist."

As for her professional abilities, it's a hard question to assess now. Nearly all of her films were destroyed in a studio fire in 1937, including her greatest triumph, Cleopatra, of which only a forty second fragment remains. I tracked down A Fool There Was simply to see something of Bara's legend for myself, but made as it was before D.W. Griffith's groundbreaking The Birth Of A Nation, which practically invented what we think of as a motion picture, A Fool There Was plays like a well-meaning amateur's home movie and with its static direction and simplistic characterizations, there really was no acting on Bara's part to be done.

You may want to check it out as I did, to satisfy your curiosity.

A Fool There Was is available on DVD.

Paranormal Activity Movie (2009) Wallpaper

This movie is for you that like scary movie. If you see in box office, this movie is number one.

So if you like horror movie. Remember to watch this movie. ok

Thank you

Paranormal Activity Movie (2009) Wallpaper

This movie is for you that like scary movie. If you see in box office, this movie is number one.

So if you like horror movie. Remember to watch this movie. ok

Thank you

Collage Photo

Do you want to create your own collage studio? You must come to en.picjoke.com. In there you can create your photo appear attractive. There are more than 100 effects pictures you can use to edit. Believe it or not everyday they add new photo effect.

To create an image that was in the edit, you only need a very easy process. Just choose what kind effect  you want to choose and upload your photo. After you finish the photo editing, you can save your photos into your PC so that when you need it someday, you will not experience difficulties.
 
This site uses face detection technology that automatically inputs your photos will be adjusted to the effect that you select. What you waiting for? If you looking for best collage maker or collage photo, remember to come at en.picjoke.com.

Collage Photo

Do you want to create your own collage studio? You must come to en.picjoke.com. In there you can create your photo appear attractive. There are more than 100 effects pictures you can use to edit. Believe it or not everyday they add new photo effect.

To create an image that was in the edit, you only need a very easy process. Just choose what kind effect  you want to choose and upload your photo. After you finish the photo editing, you can save your photos into your PC so that when you need it someday, you will not experience difficulties.
 
This site uses face detection technology that automatically inputs your photos will be adjusted to the effect that you select. What you waiting for? If you looking for best collage maker or collage photo, remember to come at en.picjoke.com.

Wait A Minute, Wait A Minute—You Ain't Heard Nothing Yet!

I promised you that if I found Al Jolson performing "Toot Toot Tootsie" from The Jazz Singer with the "Wait a minute, wait a minute—you ain't heard nothing yet" introduction intact, I'd upload it for you.

Well, here it is, arguably the most pivotal moment in movie history:

Arthur de Pins Wallpapers

 

Arthur De Pins è un giovane disegnatore francese (ha poco più di 30 anni) che è nato in una famiglia di soli uomini e ha studiato in un istituto cattolico di soli uomini; ecco quindi che per fare i compagni di scuola, tra una caricatura e l'altra comincia a disegnare donnine poco vestite, attività che porta avanti tuttora con un discreto successo. I suoi disegni e le sue tavole non possono di certo essere considerati erotici o sensuali per via del delizioso stile cartoon, ma l'argomento principale dei suoi artwork o delle sue tavole a fumetti è la relazione tra uomo e donna in ogni sua sfaccettatura, anche le più pruriginose.

Dopo aver fatto carriera nel mondo della pubblicità, prestando i suoi personaggi e il suo tratto ad ogni tipo di campagna promozionale esistente, negli ultimi anni in patria ha pubblicato diversi volumi a fumetti e art-book. Parallelamente a questi ha lavorato come animatore, realizzando i cortometraggi Geraldine, L'eau de Rose (meraviglioso!) e La revolutions des crabs.

Arthur de Pins was born in 1977 in Britain before coming to spend his entire adolescence in Versailles, France. Just take a look at some of his amazing and passionate illustrations. Most of it are quite funny, sexy and stylish, leaving no doubt that the creator has great sence of humour.

Link: www.arthurdepins.com/

Arthur de Pins Wallpapers

 

Arthur De Pins è un giovane disegnatore francese (ha poco più di 30 anni) che è nato in una famiglia di soli uomini e ha studiato in un istituto cattolico di soli uomini; ecco quindi che per fare i compagni di scuola, tra una caricatura e l'altra comincia a disegnare donnine poco vestite, attività che porta avanti tuttora con un discreto successo. I suoi disegni e le sue tavole non possono di certo essere considerati erotici o sensuali per via del delizioso stile cartoon, ma l'argomento principale dei suoi artwork o delle sue tavole a fumetti è la relazione tra uomo e donna in ogni sua sfaccettatura, anche le più pruriginose.

Dopo aver fatto carriera nel mondo della pubblicità, prestando i suoi personaggi e il suo tratto ad ogni tipo di campagna promozionale esistente, negli ultimi anni in patria ha pubblicato diversi volumi a fumetti e art-book. Parallelamente a questi ha lavorato come animatore, realizzando i cortometraggi Geraldine, L'eau de Rose (meraviglioso!) e La revolutions des crabs.

Arthur de Pins was born in 1977 in Britain before coming to spend his entire adolescence in Versailles, France. Just take a look at some of his amazing and passionate illustrations. Most of it are quite funny, sexy and stylish, leaving no doubt that the creator has great sence of humour.

Link: www.arthurdepins.com/